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Rick Rubin quotes

I don't even know what a traditional producer is or does. I feel like the job is like being a coach, building good work habits and building trust. You want to get to a point where you can say anything and talk about anything. There needs to be a real connection.

I never really think so much about commercial success; I usually just think about records that move me, and 'Baby Got Back' was one that moved me.

I don't know what makes someone hip. The goal is artist achievement and the best work we can do with no limitation.

For me, the Beatles are proof of the existence of God.

I guess edgy things tend to get my attention.

I like things that are unique and extreme.

It's a big theme in my life, learning about myself and being a better person. I'm a work in progress; I have revelations every day.

There's just a natural human element to a great song that feels immediately satisfying. I like the song to create a mood.

When you're vegan, you spend your time chasing protein, and you're eating food that's way too high in carbs. I could never catch up on protein.

At 15, I started listening to hard rock and heavy metal, but I would say it was more hard rock because I liked Kiss, Aerosmith, Ted Nugent, and eventually AC/DC.

Everything happens kind of the way it's supposed to happen, and we just watch it unfold. And you can't control it. Looking back, you can't say, 'I should've... ' You didn't, and had you, the outcome would have been different.

Everything I do, whether it's producing or signing an artist, always starts with the songs. When I'm listening, I'm looking for a balance that you could see in anything. Whether it's a great painting or a building or a sunset.

From the time I was 9 years old, I loved magic. I was an only child, and I think that had a big impact on me. I always had grown-up friends even though I was a little kid. I would take the train from Lido Beach into Manhattan, and I'd hang out in magic shops.

I always feel like there's something magic in recording studios. There's a reason good music continues to be made in them. It's just some mojo element.

I liked things about all the Run-D.M.C. records. I can remember when I first heard 'Sucker MCs,' and how much that meant to me. And the song 'Jam Master Jay' really meant a tremendous amount to me, as a fan. They were my favorite group at the time, and it was my dream to get to work with them, and then I did, and it was an unbelievable experience.

I never decide if an idea is good or bad until I try it. So much of what gets in the way of things being good is thinking that we know. And the more that we can remove any baggage we're carrying with us, and just be in the moment, use our ears, and pay attention to what's happening, and just listen to the inner voice that directs us, the better.

I never made beats to make beats; I only made them when there was a record to make them for. That's one of the things that has changed in hip-hop that's made me like it less. It feels much more like it's a producer-driven medium, where there are all these tracks that are completely interchangeable.

I played more of an advisory role with Public Enemy. I really trusted them to make the music that they wanted to make, and the way The Bomb Squad worked with the... they created their whole own world of music.

I really loved crunk. I loved the extreme nature of it, how repetitious it was, and how these basic, angry chants would just be repeated over and over again.

I think with certain artists you want to hear their album... and then there are other artists who I like where maybe it's more about the single. I don't think there is going to be one way that everything works.