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Jason Aldean quotes

For every album, I look at where I'm at in my career and think of a title that kind of represents that. And for me, 'Night Train' was kind of a metaphor for where things have gone, from being on one bus with 12 other guys, pulling a trailer my first few years on the road, to now. We're out here with six or seven buses and eight or nine semis.

My mom was a single mom, and she had enough on her plate. I knew when I was doing something I wasn't supposed to, and I tried to keep her from finding out about it. I did a pretty good job of that.

I got a hat deal with Resistol, where I have my own line of cowboy hats.

I love fried okra. The fact that it's okra makes me feel like it's good for you - I forget the fact that it's fried.

I'm very particular about the kind of music that I record and sing, and it would be the same way about the kind of movies that I would do.

'She's Country' obviously changed a lot of things for us and pretty much, I think, doubled our crowd size in just a few months time.

But for me, I thought you made a record, you got on a bus, went out and played your shows and made a lot of money. That was the way it was supposed to go down. But there's a lot more to it than that. There are a lot of early mornings, late nights, a lot of traveling, a lot of being away from home, being away from your family.

Country music in the mid-'90s was a big influence on my career, and I played all the songs that are referenced in ''94' back in my club days. Joe Diffie was rocking a sick mullet, and he was hotter than ever... just putting out monster hit after monster hit. It totally takes me back to those days, and it makes me smile every time I hear it.

Entertainer of the Year, to me, there's never been any question that that's one on my bucket list that I want. I'm not going to sit here and lie to you. If there's one that I ever could get - I would trade all the rest of them in for that one.

I didn't want my records to sound like anybody else, and when I've got my guys in the studio, I have a language with those guys because we work together every day. A lot of times, you bring in outside guys, studio players, whatever, and they're great musicians. It's just that they don't necessarily play the way I want it to be played.

I had a friend, Melissa, who was 28 years old. She was my best friend's wife, and she was my wife's best friend. She died of breast cancer. When she passed away back in 2004 was the last time I cried.

I think it's important for artists to work together. It's great for fans to see, like, Ludacris came out to our show in Atlanta and kinda made a surprise appearance there, it shows a mutual respect for what each other does.

If you can go out with your live show and turn people on to that, where you have that fan base that's religious and they're going to come see you when you're in that town, once your radio success is gone and you're not a mainstream guy anymore you can still go out and play your shows.

If you say, 'I'm going to cut this song because I know the teenagers are going to love it,' well, then you're going to alienate everybody else. When I cut my record, I'm just going to cut the things that I like, and whoever likes it, likes it. That's too much work to try to figure out the demographic. That's too much like a business.

In the music business, especially the country music business, every 10 years or so you're going to have this changing of the guard, this wave of new artists that comes in.

My golf score is really bad. I don't know. I'm definitely not a good golfer. Off the tee box, I can drive it about 275, and I'm in the fairway about 99% of the time. It's my next shot that needs work.

Our first No. 1 was 'Why' and we waited two years to have another one. It felt like forever, and now I feel like I'm celebrating one every few months, which I love.

The 'Night Train' has already been a crazy ride for me. We flew around making TV appearances and stadium announcements all over the country, fueled by little more than coffee and adrenaline... so many fans jumped on board with us, and I couldn't be more thankful.

The worst gig story I have is from a club in Alabama that I think is still up and running, so I won't name the name of the club. We got hired in there to play, and the owner was pretty annoying. He kept coming up to me during the show and asking me to play 'Purple Rain.'

There are people out there who are into traditional country music and for those people you have artists like Brad Paisley and Josh Turner and Alan Jackson. Then you have artists with a progressive style of country music, like myself and Eric Church and Luke Bryan and Miranda Lambert.